I am an explorer of worlds, chronicler of tales, and a master of trades.

 

teabq:

socialworkgradstudents:

missknotty:

gameofreferences:

Michele Carragher, the head embroider on Game of Thrones, made this awesome tutorial to show how she created the dragonscale fabric that appears on several of Daenarys’ costumes in S3 and S4.

Ms. Carragher says that the dragonscale fabric was created because “In season 3 the Costume Designer Michele Clapton wanted a Dragonscale like textured embroidery that starts to emerge on three of Daenery’s costumes, which becomes heavier and more pronounced, growing and evolving as the season progresses” (Carragher).

In stages 9-11 of the tutorial we see how the textile evolves from lightly to heavily embellished. This progression is meant to illustrate Daenarys’ personal growth and the growth of her dragons (source).

Here’s a link to Ms. Carragher’s website.

WOW!

Don’t care about Game of Thrones but that shit is cool

I didn’t learn about sewing as much as I learned that, no matter what she currently gets, Ms Carragher isn’t paid enough.

queenfattyoftherollpalace:

I don’t care how many times I’ve reblogged this 

This perfectly describes my relationships with past few guys. I remember this movie, and I kinda brushed it off when I was a kid, but looking back, my romantic life basically boils down to this movie, except it will be more like the real Swan Lake instead of the Swan Princess.

(Source: seekelsey)

How to help out your favorite artists when you don't have any money

katedrawscomics:

3liza:

I post something like this about once a year, because I get a lot of messages from people who enjoy my art but feel guilty about not buying things from my store or subscribing on Patreon or getting things from my wishlist, etc. You really don’t need to do ANY of…

the-midnight-doe:

rocketverliden:

katwylder:

boogiekun:

katwylder:

rocketverliden:

gabzilla-z:

espanolbot:

The Wolf of Wall Street's Margot Robbie is in talks to lead DreamWorks' live-action adaptation of the 1995 hit anime movie Ghost in the Shell, to be directed by Snow White and the Huntsman's Rupert Sanders.
….NO! NO! Noooooooooooooooooooooooooooooo! Seriously? Not even bothering to ATTEMPT to get an actress of Japanese descent to play the lead?
Oh, I see. It’s because the logic that “anime is racially ambiguous” or something? ‘Cause, after all, there’s no reason why a character called MOKOTO KUSANAGI be Japanese, right?
ARGH!

WHAT

You know, this reminds me of that time they tried to make a live-action Evangelion and they were apparently going to change Asuka’s name and probably origin.
Like, really, can it be that hard to get a Japanese lead actress? Like, Rinko Kikuchi or someone, y’know, more appropriate?

Change “Evangelion” to “any anime or Asian media,” and “Asuka” to “every non-white character.” Because this is what happens literally every fucking time.
Also, yes, it really is that hard to get a lead who is Japanese when you are racist.

I feel that unless the story is solely based arround the fact that the character is japanese, race doesn’t matter. Like we were able to get a black spiderman! HOWEVER- If they turned away actresses aiming for the part SOLELY because they were japanese- then i can see that as being racist. As for the japanese names- I think they should stay true and actors/actresses should practice saying them perfectly.

Yeah, the thing is, “race shouldn’t matter” is a nice sentiment in theory but always seems to work out in practice as, “only cast white people.”
1) And while movie studios are perfectly happy to cast white actors for characters who are non-white, the reverse practically NEVER happens. This has been shown to be the case time and time again. Most of the time, studios don’t reject people of color for these parts, because those actors are never even considered. Plus, the majority of roles in Hollywood already go to white actors. Would it really be so awful to let Motoko be… I dunno, anything but white?
2) If you wanna know how “critical” her ethnicity is, you’d probably have to ask Masamune. But considering he named her Kusanagi, I would say that it’s probably sort of important. And why should being Japanese have to be “critical” to Mokoto’s character to warrant her being played by an actress who is Japanese (or even any east Asian descent)? Why should that have to be justified?
3) As for there being a black Spider-man… That is not an equivalent situation and it’s disingenuous to act as though it is. They didn’t change Peter Parker’s race. They created a whole new character who is black, (Miles Morales), and takes up the mantle of Spider-man after Parker.
So, let’s call this what it is: more racism in casting.

As someone who’s watched the ‘95 film and Stand Alone Complex, it is kinda ambiguous on whether or not it takes place in Japan. I guess you can say it pretty much does, though.

They literally mention several dozen times that they are Japanese I have no idea how you’re missing that.
Every single iteration of Ghost in the Shell has at the very least taken place in Asia and that was an incredibly important part of the setting (Hong Kong was chosen for the movie due to its architecture and cityscapes, Japan was chosen for the anime to put a specific origin point of Section 9 and also to give a full background story to the refugee plot in 2nd Gig, etc.)
Why is it that in order for a person of color to be casted for a character that is a person of color, we need a reason? “Oh, her race has to be important to the story!” “Oh, she looks ambiguous, why does it matter?” And yet we never hear these reasons thrown at white actors. It reinforces the idea that characters are white until proven minority which is, yes indeed, racist, whether they “meant it” or not.
The Major is Japanese. That’s it, end of story. There is no excuse for this. And you can bet your ass that this won’t be the only case of white washing in this movie.

the-midnight-doe:

rocketverliden:

katwylder:

boogiekun:

katwylder:

rocketverliden:

gabzilla-z:

espanolbot:

The Wolf of Wall Street's Margot Robbie is in talks to lead DreamWorks' live-action adaptation of the 1995 hit anime movie Ghost in the Shell, to be directed by Snow White and the Huntsman's Rupert Sanders.

….NO! NO! Noooooooooooooooooooooooooooooo! Seriously? Not even bothering to ATTEMPT to get an actress of Japanese descent to play the lead?

Oh, I see. It’s because the logic that “anime is racially ambiguous” or something? ‘Cause, after all, there’s no reason why a character called MOKOTO KUSANAGI be Japanese, right?

ARGH!

WHAT

You know, this reminds me of that time they tried to make a live-action Evangelion and they were apparently going to change Asuka’s name and probably origin.

Like, really, can it be that hard to get a Japanese lead actress? Like, Rinko Kikuchi or someone, y’know, more appropriate?

Change “Evangelion” to “any anime or Asian media,” and “Asuka” to “every non-white character.” Because this is what happens literally every fucking time.

Also, yes, it really is that hard to get a lead who is Japanese when you are racist.

I feel that unless the story is solely based arround the fact that the character is japanese, race doesn’t matter. Like we were able to get a black spiderman! HOWEVER- If they turned away actresses aiming for the part SOLELY because they were japanese- then i can see that as being racist. As for the japanese names- I think they should stay true and actors/actresses should practice saying them perfectly.

Yeah, the thing is, “race shouldn’t matter” is a nice sentiment in theory but always seems to work out in practice as, “only cast white people.”

1) And while movie studios are perfectly happy to cast white actors for characters who are non-white, the reverse practically NEVER happens. This has been shown to be the case time and time again. Most of the time, studios don’t reject people of color for these parts, because those actors are never even considered. Plus, the majority of roles in Hollywood already go to white actors. Would it really be so awful to let Motoko be… I dunno, anything but white?

2) If you wanna know how “critical” her ethnicity is, you’d probably have to ask Masamune. But considering he named her Kusanagi, I would say that it’s probably sort of important. And why should being Japanese have to be “critical” to Mokoto’s character to warrant her being played by an actress who is Japanese (or even any east Asian descent)? Why should that have to be justified?

3) As for there being a black Spider-man… That is not an equivalent situation and it’s disingenuous to act as though it is. They didn’t change Peter Parker’s race. They created a whole new character who is black, (Miles Morales), and takes up the mantle of Spider-man after Parker.

So, let’s call this what it is: more racism in casting.

As someone who’s watched the ‘95 film and Stand Alone Complex, it is kinda ambiguous on whether or not it takes place in Japan. I guess you can say it pretty much does, though.

They literally mention several dozen times that they are Japanese I have no idea how you’re missing that.

Every single iteration of Ghost in the Shell has at the very least taken place in Asia and that was an incredibly important part of the setting (Hong Kong was chosen for the movie due to its architecture and cityscapes, Japan was chosen for the anime to put a specific origin point of Section 9 and also to give a full background story to the refugee plot in 2nd Gig, etc.)

Why is it that in order for a person of color to be casted for a character that is a person of color, we need a reason? “Oh, her race has to be important to the story!” “Oh, she looks ambiguous, why does it matter?” And yet we never hear these reasons thrown at white actors. It reinforces the idea that characters are white until proven minority which is, yes indeed, racist, whether they “meant it” or not.

The Major is Japanese. That’s it, end of story. There is no excuse for this. And you can bet your ass that this won’t be the only case of white washing in this movie.

Hey, for those who know me personally, I am an artist, and before I started this blog I had another blog which had some of my artwork, which I deleted for reasons I can’t discuss. However, I’m starting up a new blog again, which mainly focuses on my artwork, so that hopefully I can build a better fan base. Follow only if you’re interested in illustration and fan art. I might reblog things here from time to time, but if you know me better as an artist and have enjoyed my work in the past, I implore you, yes, implore, you to come check me out at this blog.

https://www.tumblr.com/blog/odessart

I cannot wait for the return of the Fulton Recovery System in The Phantom Pain! This way you don’t have to lose points for killing enemies and your enemies disappear from the map so you’ll never have to encounter them again! Let me tell you, this thing made Peacewalker a real blast!

I cannot wait for the return of the Fulton Recovery System in The Phantom Pain! This way you don’t have to lose points for killing enemies and your enemies disappear from the map so you’ll never have to encounter them again! Let me tell you, this thing made Peacewalker a real blast!